Discussion and analysis of screenplays, scripts, and story structure for filmmakers and novelists, based on the blogger's book: "THE MORAL PREMISE: Harnessing Virtue and Vice for Box Office Success".
Theory: In successful stories Antagonists are the product of their environment or setting, while Protagonists are the change-agents of their environment or setting. IOW: Antagonists are the out growth of their own status quo, while Protagonists challenge the status quo of others. Is that a rule that is always true of successful stories?
