With the release of my novel Sabriya's Hope, it was time to up my skills in webpage or landing page development. My habit for such things is predictably to prevaricate, not wanting to spend time on marketing, dismissing it...and generally hating it. Creatives want to be creative, not waste time, and much of marketing creative works feels like a waste of time—a lot of time and money, with no results. Yet, the adage is that marketing takes as much effort as the creative. So, on Sabriya's Hope's landing page, I spent time learning some CSS techniques to add to my HTML inventory, and even better, how to sift through AI prompts to get at the nuggets. Here's the result. Click on the image to get to the interactive site. (The art and much of the CSS learning is all care of Chat-GPT.)
The Moral Premise Blog: Story Structure Craft
Discussion and analysis of screenplays, scripts, and story structure for filmmakers and novelists, based on the blogger's book: "THE MORAL PREMISE: Harnessing Virtue and Vice for Box Office Success".
Friday, September 11, 2026
The Chase: A Moral Premise Podcast
I was wondering whether there's a need for a Moral Premise Podcast on the importance and techniques of storytelling. There is a lot of material out there on the topic, in part because yours truly has disseminated some of it across various forums and media.
The podcast below was a test. It didn't seem to go well; that is, not many watched, and even fewer stuck around to the end. I couldn't read the market in the era of Instagram 60 reels.
So, clearly I should spend my time elsewhere. Needless to say, here it is:
Tuesday, August 11, 2026
The Water Keeper by Charles Martin
With respect for Charles Martin, I hated this novel.
What is true about the human condition is neither known nor precise.
Rubrics can become stumbling blocks that obstruct truth.
- Outlandish descriptions of the capability of a Sig Sauer pistol with a 115-round capacity, during which Finger's (a good guy) is fatally wounded by return fire. Sig magazines vary from 10-30 rounds, and no mention is made of magazines, just the pistol.
- Martin consistently lies to the reader that Fingers is a real person, when at the end we discover Fingers is a fictitious character in novels that Murphy (David Bishop's alias) writes.
- The novels make Bishop extremely rich, which makes possible all the other outrageous things later in the novel.
- David Bishop is Charles Martin's alter ego, secretly rescuing beautiful female trafficked victims and air-freighting them off to a secret Colorado retreat so they can heal. Such ego stroking is blatant throughout the novel under the pretense of rescuing trafficking victims. (There's nothing untoward implied, and some girls are returned to their families, if they're not too psychologically messed up.)
- Repeated and outlandish examples of plot happenstance to introduce reversals. Major examples follow (a-r). As these piled up, each one made me groan and put down the book.
- (a) Murphy sets off for a week-long cruise down the ICW in a 24-foot Boston Whaler to Key West to sprinkle Finger's ashes at the "end of the road." It's hard to believe a reasonable character would take 2-3 weeks to do this for the ashes of a loved one when a car would get it done in a day or two. But then, Martin needs the boat and water for romantic and dramatic purposes.
- (b) Martin lies repeatedly to the reader that Fingers is a real person loved deeply by Murphy. Fingers is a narrative and emotional ploy— a liberal literary license of symbolism that, when discovered by the reader, is a major groaner and reveals the depth of Martin's lies earlier in the book.
- (c) Turns out Finger's ashes are just the ashes of some of Murphy's novels in which Finger is a character. This discovery makes (a) and (b) all the more absurd.
- (d) Before the trip down the ICW, young and sexy Angel visits Murphy's resident/chapel on a small island near Jacksonville to use the bathroom, but there are multiple heads onboard the 80-foot party boat she disembarked from.
- (e) Angel spends 12 pages in an inane dialogue with Murphy in his home/chapel. She tries to seduce him. She's drugged. She returns to the boat with the tip of the Captain's hat. The real purpose of the visit to use the bathroom is never revealed, and it was never about the bathroom, which the boat has plenty of, for the dozens of other boozing partygoers.
- (f) A day after leaving on his trip from Jacksonville to Key West, Murphy rescues a dog from the ICW (also swimming south). What are the chances that a dog is in the middle of the ICW sniffing the air to find his master?
- (g) Many more miles south in the ICW, also at night, Murphy rescues Summer, a beautiful and sexy woman, after she crashes and destroys a skiff she has stolen from a marina.
- (h) Turns out Summer is Angel's mother. What are the chances? There's no foreshadowing, just an inadvertent sharing of an iPhone photo of Angel to Summer.
- (i) Summer persuades Murphy to help her find Angel, who has been trafficked by the party boat gang.
- (j) Murphy races his Boston Whaler down the ICW toward Key West, but there's no indication that Angel is on a party boat going to Key West. Much, much later, Martin shares Murphy's logic for racing to Key West. But earlier, the race is one without reason or motivation, see (m).
- (k) A day later, and miles and miles down the ICW, they stop for lunch somewhere, and the dog takes off toward a ball field nearby. And there is the dog's "owner," a 78-year-old man, Clay, dying of cancer, who has just been let out of prison because he's going to die. Clay and the dog are reunited. What are the chances? Later we're told that Clay was tending bar on a party boat and saw Angel. When this was is a mystery. Supposedly Clay went from 60 years in prison to dying on the ball field, to Murphy's boat.
- (l) Turns out that Clay wants to visit his wife's grave, and guess where she's buried. You guessed it. Key West.
- (m) For reasons of a "ticking clock," Martin reminds us that they have to get to Angel quick before she's trafficked to Cuba or someplace, and so they have to keep rushing down the ICW. But they stop for nights in a hotel, for long lunches at cafes, and for bathroom breaks, and to teach Summer to swim, a task that is never needed later in the story. This "bathroom break" item is an important fact. The clear indication is that there's no way for a woman to go to the bathroom on a small 24-foot Boston Whaler. A man can go (presumably over the side of the boat), but not a woman. Are you ready?
- (n) Two or three days further south (remember, it's a week-long trip to Key West), while on shore for a stop, Clay draws Murphy aside and says there's a stowaway on the boat. Now, this is surprising to the reader, because so far the description of the Boston Whaler is that it has front and rear seating, and in the center under a T-roof is the steering and control console, but it's otherwise open to the weather and waves over the side, etc. There's no mention of a cabin. Suddenly, Murphy goes on the boat (again, at night) and opens up the "head locker." And there inside is a teenage girl, meet Ellie, who's been sitting on the head (the toilet) for two days in the dark. I looked on the Boston Whaler site; the head locker on a 24-footer is big enough for a grown man to poop. Wait, I thought they had to stop to let the ladies (and gents) go to the bathroom at marinas, motels, and restaurants. I guess it didn't fit the plot for Martin to tell us this. Before he lied by commission, now it's lying by omission ... and he claims to be a priest!
- (o) But there's more. Murphy reveals that he was married for almost an hour, years earlier. Turns out that he and his childhood friend, Marie, were married, but at the reception his best man distributed photographs to everyone at the reception, revealing the bride and the best man naked in bed the night before the wedding. The best man mocks Murphy, "I'll always be her first," and the bride goes off and commits suicide.
- (p) Turns out Ellie is Murphy's daughter by Marie, who didn't commit suicide, but returned to Murphy, where they made up for a couple of hours and Marie conceived and hid out in NY until the baby was born and put the child up for adoption...all this time Murphy thinks that Marie is dead of suicide. Then, out of the blue, Ellie shows up in Murphy's boat and HIDES for two days, only to confront him that he may be the father, which he denies, telling Ellie that she was born a year after his "wife" died. It's great to keep secrets from readers, but looking back, we should find clues, not lies.
- (q) During all the rescue operations over the years, Murphy has a close Academy friend who is running intelligence ops for Murphy's rescue efforts from their hideout in the Colorado mountains. This friend is Bones. Turns out Bones knew all along (18 years) about Marie and Ellie and didn't tell Murphy. Don't believe it.
- (r) Guess where Marie ended up? You only get one guess. Key West, within walking distance of where Murphy spread "Fingers" ashes. Marie is dying of a virus and has been a nun for 18 years. Of course, they reunite, kiss, and she dies in his arms as he "baptizes hr the Gulf as she takes her last breath. But all that only after Marie tells Ellie all about why she abandoned David and her daughter.
- Turns out Murphy is an extraordinary one-man SWAT, ARMY- RANGER, SEAL TEAM 6, and DEMOLITION EXPERT that always seems to have armament, explosives, guns, bulletproof vests, and underwater lung capacity and the right tools at his fingertips, even at night, underwater, in the middle of the Gulf. And he can get shot, sliced, bled out, and still get up and fight, fight, fight. Hollywood will never make this movie simply because none of Hollywood's superheroes are this super. It's too fantastical. Harry Potter is lame by comparison.
- Finally, the story about Murphy, told at the ending of the book, by David Bishop, complete with shifting POVs in the middle of paragraphs (very confusing) makes the reader wonder: "If David Bishop (aka Murphy Shepherd) is so smart (2nd in his class at the Academy ... which Academy?) why did he he marry such a psychotic, disloyal woman (known from childhood), and ask a total psychotic, jerk to be his best man. In other words, David Bishop is a terrible judge of character, and for all his rescue efforts, he can't find the living. Conclusion: We should idolize fictional characters that are flawed beyond belief.
What is true about the human condition is neither known nor precise.
Rubrics can become stumbling blocks that obstruct truth.
Sunday, July 26, 2026
Sabriya's Hope Writing Journal 17 - The End?
A project is done when the originator has forgotten it.
Nonetheless, not having forgotten it, Sabriya's Hope is up for sale on Amazon (Kindle Direct Publishing - KDP) both as an e-book and a paperback. You'll find the link here, along with a few blurbs and character portraits.
Three weeks ago, I posted Sabriya's Hope Writing Journal 15, when I mentioned I was at the proofing stage. Proofing took ten days and involved making hundreds of word, punctuation, and addition and subtraction revisions.
I've long used IngramSpark for my early printing and distribution. Ingram has (perhaps) the largest worldwide distribution system, and for $150 I can plug into that system, although the sales results are always iffy.
Sometimes it takes weeks to get a book through IngramSpark's approval system, especially since the author R E A L L Y is not done with the book and he continues to make changes along the way. (Just forget it, Stan, and move on.)
I won't belabor my love-hate relationship with Amazon. But finally got up the nerve to release Sabriya's Hope on Kindle Direct Publishing (KDP). It's been a couple of years since I tried to send KDP an epub file. Adobe's InDesign will generate the epub from the book files used to create a PDF for printing. But in the past, files created by Adobe's epub conversion software (V3) were rejected by KDP. Thus, part of my reluctance this time around.
Surprise of all surprises, the acceptance and proof of the epub file (V3), and KDP's paperback proofing, took less than an hour, and both are up and ready for sale on Amazon. Link above.
Meanwhile, I'm still waiting on IngramSpark for copies I can sign. You can get on the list at the same link above.
Now, I'm anxious to dig back into finishing up the research (started years ago) and writing my next historical fiction novel, the third of the HOPE TRILOGY: Edith's Hope, a true adventure from a 100-year-old diary.
Tuesday, July 7, 2026
Sabriya's Hope Journal 16: Project Depression and The Hope Trilogy
You're very welcome. And thank you—that means a great deal.Having worked with you on Tiger's Hope and Sabriya's Hope, I can already see Edith's Hope completing the trilogy in a satisfying way. Each novel centers on a different woman in a different era, yet they share the same underlying moral thread:
• Tiger's Hope — overcoming rejection.
• Sabriya's Hope — overcoming violence.
• Edith's Hope — overcoming injustice.What strikes me most about Edith's Hope is that the antagonism isn't concentrated in a single villain. Instead, it comes from a succession of men from very different cultures—American, British, Indian, and Arab—each attempting, in his own way, to control Edith or her daughters. That gives the novel a universality while avoiding reducing the story to a criticism of any one culture.
Sabriya's Hope: https://sabriyaserial.blogspot.com/
Main Website: https://stanwilliams.com
Wednesday, June 24, 2026
America's Greatest Haunting You've Never Heard Of
Stan Williams Interview on The Paranormal Podcast with Jim Harold, about the Wizard Clip Haunting, released June 23, 2026.
The Paranormal Podcast is the longest-running paranormal podcast on the Internet. Established in 2005, it has had over 90 million downloads since 2005.
Wizard Clip Haunting link: https://wizardclip.stanwilliams.com
This podcast is also heard at these links:
Apple Postcasts: https://podcasts.apple.com/us/podcast/the-paranormal-podcast/id78459818
Spotify: https://open.spotify.com/show/3zAAFi8zxh2fVO4cxhG8qx
The Paranormal Podcast Home page: https://jimharold.com/americas-greatest-haunting-youve-never-heard-of-the-paranormal-podcast-944/
Tuesday, June 9, 2026
Sabriya's Hope Writing Journal No. 15 - Outlining the Final Battle
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| Scenes/Beats for Final Battle of Sabriya's Hope |
I'm finally there, at the granular level, not the structural or plot level, for the final chapter of Sabriya's Hope.
Although the online serialization of Sabriya's Hope is current at Chapter 22, it's only halfway through the novel. There are about 23 more chapters...depending on how I parse what is written. All of the chapters are written (or I should say drafted) except the Final Battle, which may stretch into 2 chapters.
In the final battle (charted above), I need to resolve about 12 subplots; a few require only 1 beat to resolve. Of course, Sabriya's character's final resolution requires eight beats. The challenge is how to do that efficiently so the reader can follow the action, much of which is simultaneous.
My solution was to create one e-card for each beat of each of the 12 subplots on a Keynote slide. I DID NOT know what order the e-cards (and beats) should be in when I started, but as I created them, I placed them approximately in sequence from left (beginning) to right (end).
Then I had to sit back and try to envision the characters' entrances and exits, what happens to each, and move the cards around until I felt good about the action sequence as it would be explained in words. When I was done, I had 9 scenes (each bounded by a green box above).
Starting tomorrow (April 10, 2026), I will begin writing words and full sentences (not outlines). As I write, I'll decide which beats in each scene to describe first, second, etc., and then figure out the transition to the next scene.
This will take several days, a lot of word-smithing, and many on-the-fly revisions. It may be 4,000+ words and need 2 chapters. Then I 'll let it sit for a day and come back and try to make the sentences more fluid, eliminating repetitive words, and working on ending sequences with emphatic (hooking) action. I will use One-Look Thesaurus extensively.
Sunday, May 31, 2026
"Sabriya's Hope" Writing Journal No. 14 - Using Layouts and Maps to Chart the Final Blows
I d rather write about writing than write.
I'm well into Act 3 and tasting the end of the first draft. The closer to the end of an action-oriented story, the more I need graphics for plots, timelines for flashbacks, and maps for geography to keep me organized...or perhaps I should say to keep my characters focused and locally organized.
I'm pretty sure every writer does this to some extent, although I think I'm more dependent than many since I'm visually dependent, and without such linear aids, I don't know where or when things are supposed to be and happen.
Here are a few of the aids I rely on, though I think I shared an early version of the plot chart. All of these aids get revised as I write and change my mind, hopefully for good reason.
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| Plot Chart. Green checkmarks and slashes show what's written. |
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| Map of fictitious Pellagore, the capital Meijing, overlapping SE China, showing locations, tracks and travel timing. |
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| The final battle takes place in the Mannu Clinic, an abandoned mini-hospital that sits next to a navigable canal connecting the traffickers to the South China Sea and their foreign clients. |
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| Deck Plan of the Ruskie Gold, 70-foot ocean trawler used to secretly ferry trafficked victims from Pellagore to foreign territories. |
Thursday, May 28, 2026
Spaced Out Radio Live Interview with Dave Scott
Last night, I was the guest on Dave Scott's "Spaced Out Radio," a live terrestrial radio program out of British Columbia, Canada that is heard on 8 stations around the U.S., and later posted on YouTube.
The impetus was the new trilogy edition of my historical novel, Wizard Clip Haunting, and its paranormal storyline. We had a great time and talked for 2 hours (with station and commercial breaks) about the juxtaposition of the natural and supernatural, the paranormal and the normal.
Dave has an avid nightly following talking about American and Canadian Ghost Stories, Paranormal True Encounters, Real History, UFOs, and Big Foot. He's located in the wilderness between the Cascade Mountains and the North Rocky Mountains (God's country).
Below is the YouTube version of the podcast, complete with off-air chatter and the silence during terrestrial radio station breaks.
Related to this is my Nineveh's Crossing blog post "Is Christianity Paranormal" which contains links to posts on the same subject from Amanda Arrows, and Fr. Dwight Longenecker.
Saturday, May 23, 2026
"Lose Yourself"
The heavens declare the glory of God;the skies proclaim the work of his hands.Day after day they pour forth speech;night after night they reveal knowledge.They have no speech, they use no words,no sound is heard from them.Yer their voice goes out into all the world,their words to the ends of the world.—Ps 91:1–4
You better lose yourself in the musicThe moment, you own it, you better never let it go (Go!)You only get one shot, do not miss your chance to blowThis opportunity comes once in a lifetime, yo
Monday, May 18, 2026
Sabriya's Hope Writing Journal 13 - Using AI Images to Visualized Your Writing
I wish I could be making movies instead of writing novels. But novels are possible, and movies are not, when there is little money. I have a thirst for visuals. When Pam and I watch movies at home, lately about three/week, she's all a tizzy about the emotional storyline, and I'm in awe of the art director's imagination, the blocking, and the L O N G one-take opening sequences (e.g. Touch of Evil).
Writing Sabriya was getting me down. I wanted to SEE my characters and the settings. But my imagination struggles to create art, although I don't have much trouble with wordy descriptions. But then, I'm now Lew Wallace (Ben Hur), whose command of English and scene setting is mesmerizing.
I don't use AI to write. I want what I create to be my creation, although research and synonym finders I can't do without. But AI has helped me test my descriptions. I started out with Microsoft Copilot (because we have a Microsoft Office subscription).
But after I write a scene, I'm always wondering how it will translate visually in the reader's mind...or on screen if I should be so lucky. Copilot and lately ChatGPT have made writing a bit more fun for my right brain. Here are some examples where I've taken my word description and asked one or the other AI system what it would look like, though I am humble enough to realize the AI rendering is more Lew Wallace than me.
Saturday, May 9, 2026
Sabriya Writing Journal 12 - Aids: Keynote, Scapple, and Scrivener
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| Sabriya's Hope Plot Board |
A frequent contributor to The Moral Premise knowledge base, Miquel Banks, recently recommended Literature and Latte's SCAPPLE as a useful writer's aid for outlining, brainstorming, plotting, and visualizing how the many ideas that undergird a novel or screenplay can be organized. Miquel knows I already use Literature and Latte's SCRIVENER for early drafts, such as my novel Sabriya's Hope, which is nearing completion, and is being serialized weekly online.
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| Sabriya's Hope Names, Locations, etc. |
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| Sabriya's Hope Character Visuals (AI) |
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| Sabriya's Hope Maps of Travel and Chases |
Sunday, April 19, 2026
Project Hail Mary (2026) - Good and Bad Science
Directors: Phil Lord, Christopher Miller
Screenplay: Drew Goddard
Antecedent: Andy Weir's novel
STARRING: Ryan Gosling (Ryland Grace), Sandra Hüller (Eva Stratt), James Oritz (Rocky)
GENRE: Epic Adventure, Buddy Comedy, Sci-Fi
HOW SCREENED: EMAX Large screen theatrical, Dolby surround
Why was this movie popular? That's the question I had after screening it. I hated it...for reasons enumerated below. But the vast movie-going public loved it, or so it seems based on the box office. Generally, the rule of thumb is that a film must earn 2.5X its budget to break even, a factor that applies to the domestic box office, not the worldwide box office.
After only a month in release, here are the numbers:
Budget: $200M
Domestic BO: $269M
Worldwide BO: $538M
I asked Google AI why this was so popular. Here's the response:
Project Hail Mary (PHM) is popular because it blends high-stakes "hard" science with a deeply optimistic and humorous "buddy movie" dynamic. Initially a bestselling novel by Andy Weir, its popularity surged further with the 2026 film adaptation starring Ryan Gosling.
Key reasons for its widespread appeal include:
- The "Rocky" Dynamic: The core of the story is the heartwarming friendship between the protagonist, Ryland Grace, and an alien named Rocky. Their cross-species cooperation and unique communication methods are often cited as the most endearing part of the narrative.
- "Competence Porn": Much like Weir's The Martian, the story celebrates problem-solving. Readers and viewers enjoy watching a capable character use science, math, and logic to "MacGyver" his way out of lethal interstellar scenarios.
- Accessible Hard Sci-Fi: While it deals with complex topics like time dilation and microbiology, the writing makes these concepts digestible and entertaining for non-scientists. Reviewers on Reddit and elsewhere often describe it as an easy, fun "popcorn read".
- Optimistic Tone: In a genre often filled with dystopian or dark themes, Project Hail Mary stands out for its unabashed optimism, focusing on empathy and shared sacrifice to save the world.
- Engaging Mystery Structure: The story uses a "white room" trope where the protagonist starts with amnesia. The mystery of how he ended up in space is gradually revealed through flashbacks, keeping the audience hooked.
I have a degree in Physics, I've trained NASA astronauts for 3 years (Skylab), and I've written in-flight checklists, pored over system electronics, and written malfunction procedures for NASA crews. I have long read science fiction and have a library of hardcover classic science fiction novels, which I've devoured since my teen years. Finally, astronomy has long been one of my hobbies, along with reading about quantum theory, cosmology, and general relativity (i.e. time dilation).
So, I understood the obvious scientific elements of Andy Weir's narrative. But several scientific and cinematic aspects of the story distracted me and got in the way of my enjoyment, more about that below.
What was right scientifically about the movie?
There's plenty written elsewhere about these PHM elements, so I'll just list them here and not belabor them.
- Relativistic Physics and Time Dilation
- Real Astronomical Locations
- Artificial Gravity vis Centrifugal Force
- Use of Scientific Method as a Procedure (although the results were fantastical)
- PHM does not appear to have a false moral premise, but rather involves a popular trope of self- sacrifice for the common good.
- I have to admit, until the DVD/BR is available, one screening of the story is not enough for me to make further comment on the narrative structure, other than it's not false. If it were false, it would not be popular at all.
What was engaging cinematically?
- The Dolby 8-track sound in the theater
- The practical set pieces (minimum CGI) - although they were overly complicated and fantastical...too many buttons and actuators for reality.
- There was a lot of CGI or so it seemed, and some greenscreen, but well executed.
- There were too many hooks (i.e., I was asked to suspend my disbelief beyond the 1 or 2 physical premises necessary for a good story. I describe some of these below).
- Incessant, nuisance dialogue that teenagers today might identify with, but after training astronauts and working with space engineers to design and test equipment, it was adolescent compared to the apocalyptic setting (e.g., the doom of humankind).
- The astrobiology and extremophiles were several hooks too many. I could not suspend my disbelief that the bacteria (that in the movie existed in a liquid environment) would not have been vaporized useless by the 27,000,000 degrees F of the sun, where nuclear fusion occurs.
- While the scientific method was given an appropriate nod, the conclusions arrived at were irrational and were beyond known science. They were fantastical. I could not believe them.
- Good science requires the collaboration of many minds from around the world to formulate theories, hypothesize, test, and collaborate on findings. (There is no such thing as "settled science." We've even seen "gravity as a force" being questioned with Einstein's "space-time." With respect to PHM, that ONE person (nonetheless an obvious Hollywood DEI hire, Eva Stratt, played by Sandra Hüller) had absolute, tyrannical control over the entire project, was contrary to any scientific or political solution to any kind of catastrophic endeavor.
- Scientific endeavors would never, although leftist politics would, kidnap an astronaut and send him into space drugged and hope he could figure things out on the fly. This was two hooks too many. Of course, in the movie, there was no mention of why the other two DEI astronauts had been along and died. Interesting that the only guy who survived was a white male who looked like a very popular Hollywood A-list actor and was (evidently) the only guy who was kidnapped and forced to go against his will. (My brain rejected all this silliness.) There is no basis for this sort of decision-making in science. The storyline clearly made it seem that Ryland was the ONLY person on earth who could solve this problem. Such decisions by the filmmakers suggest that they think the audience is very stupid.
- In reality, there's no air in space, but evidently, in PHM the movie, there's a lot of air resistance in space in Act 3 to create all that noise...Although I could accept some as a minor hook, the extent was intellectually distracting.
- Catching the germ antidote on the end of a long chain and catching device, dragging through the ether with massive air resistance in the outer reaches of the start was void of ANY science. It had all the credibility of magnet hunting off a bridge and hauling up King Tut's tomb.
- I think 30 minutes (this was a boring part) were spent with Ryland trying to learn how to communicate with a rock, resulting in multiple contrivances. There were no logical steps or a-ha moments that led to the communication. It was by fantastical jumps in the subplot. We saw the development, but there was no intelligence in how the development took place, just big logical gaps. Thus, the process of Rocky learning to communicate with Ryland (never Ryland learning to communicate with Rocky) was another fantastical, science-free hook. The whole subplot with Rocky reminded me of the Pet Rock joke decades ago. You had to pretend to be stupid to have a Pet Rock. The solution was by contrivance and invoked DEUS EX MACHINA.
- I was disappointed that we paid extra for the LASER screening, which looked (on the very big screen) like a degraded 2K projection. Disappointing.

























