TMP at Seekerville

I spent yesterday contributing to the com box at Seekerville, an active blog site managed by a group of novelists. As I was two years ago this time, I was invited to guest blog and answer questions about The Moral Premise.

It was a long post, especially as friend, client, and best selling author Tamera Alexander agreed to let me interview her. Tamera also went beyond the calling and embedded a YouTube video about how she uses TMP in her writing, of which I'm most grateful.

As of a few minutes ago there were 109 comments, which are viewable at the bottom of the post.

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I'm sorry I haven't posted in a long time. I've been exec. producing a short film for my teen Story Symposium students (which occupied most of August), and in mid-July I shot a television series, that now I am editing, probably through October.

ACFW Workshop Slides and Q&A (9-22-11)

I presented a five-hour version of The Moral Premise workshop at the American Christian Fiction Writer's Conference Sept 22, 2011 from 8 AM to 1 PM. In the days following I met with a number of authors and hope-to-be authors helping them beat out their stories.

I was also privileged to sit in on several other workshops, have dinner with super-agent Natasha Kern, and talk with numerous multi-published authors, with 20, 30, and even 50 books to their credit. It was a great few days in St. Louis. Between the questions and answers below I'll post some pictures taken during the trip.

Looking East from our conference meeting rooms

All of the photos in this blog were taken with my iPhone. the conference was held at the Hyatt Regency at the Arch. Thus the pictures of the full arch (like the one at the right) are actually taken through windows in the hallway next to the meeting rooms.

Here are the questions I was handed, some of which I answered in the session, and my answers.

1. On the Emotion Plotting Slide, how do you decide numeric values on each action line, that are used for the graph. (Judy Christie)

Judy, the numbers assigned are subjective and objectively determined. Subjectively, they are based on my sense of how emotionally UP or DOWN the scene will come across to the reader/audience when I'm done editing it. In some scenes/lines the number is my INTENT. In others, it's what it is already. For instance when my protag's husband dies, it's a major DOWNER, when she is able to board the ship safely with her girls to go home, its a minor UPPER. Objectively, the "emotion" I hope my audience will feel is the degree to which they perceive my protag making progress toward the physical goal (positive numbers), or being set up from achieving the goal (negative numbers). I assign a number from -10 to +10 to each scene, and then accumulate a balance, like a checking account balance. It's the balance that is plotted, not the individual scene values.

Virtual Workshop In Progress at Seekerville

Blogger at Seekerville today where a long post explaining the Moral Premise and its application in novels is up, and I'm busy answering writer's questions. All are welcome. It will take me a week to answer the questions.

http://seekerville.blogspot.com/2010/10/seekerville-welcomes-dr-stanley.html

Romance Writers & The Moral Premise

A few blogs ago I wrote about Myra Johnson and her "gang" of romance writers. Well, I didn't know they were a gang then, just a few I thought. Then she asked  me to be a guest blogger for Seekerville, the blog site for The Seekers, "a group of fifteen unpublished and newly published Christian writers."

The first writer on their bio list, Mary Connealy, "writes romantic comedy with cowboys."  She's married to a Nebraska rancher. Yep, they sure do sound like a posse out hunting for .... romance. This should be fun, a few are sending me romance novels they've published, for me to read before I write for them.

Myra was kind enough to send along a couple of links to Seekerville Blog posts that referenced The Moral Premise. One was a Guest Post by their agent Natasha Kern where she shares her critical understanding of novel story structure and elements. It's a very enlightening read, and about mid way she has some nice things to say about TMP.

Aside from TMP, however, she gives stellar advice to all writers about lessons that need repeatedly to be learned.