Showing posts with label Ralph McInerny. Show all posts
Showing posts with label Ralph McInerny. Show all posts

Thursday, August 14, 2025

SABRIYA Writing Journal 7 - Laughter, Reading, & Distractions

LAUGHTER

The laughter comes from my ever-changing mind about the working title of this book I hope to write. I got tired of trying to pronounce "Shenzhen," although it should be easy, and I like alliterations. Besides, Hong Kong is next door to Shenzhen, and yet I need a visually interesting but fictional place to avoid geographical faux pas descriptions. So, for the time being, the story takes place in and around Hong Chi's environs.

READING RESEARCH

One of the tasks I undertake before getting too far into creating a manuscript is to read inspiring literature, hopefully in the genre that I intend to write. But, in this case, I'm a novel behind. Right now, the book I'm enjoying and marking up is something I should have read before the novel I just finished, Tiger's Hope (see below the distraction). Tiger's Hope is a cautionary tale about a singer-songwriter's IVF mix-up, a few Catholic priests, and a prelate. SABRIYA, while there is a subtle Catholic motif to the story, is NOT about the church or its prelates. 

Shenzhen and Hong Kong at Night by Mike Leung (flickr)




Regardless, the idea is to read an author that I want to emulate. I hope to learn how to write better. I stumbled upon the prolific pile of 105 books written by Ralph McInerny (1929-2010), 52 of which were fiction. A little research suggested that "The Priest" (1873 ~160,000 words) may have been his best.  I'm only 102 pages into the 563, and so far, there's plenty to admire in McInerny's command of English. The Priest is about a young man who has just returned to Ohio to be a junior associate priest after three years in Rome earning his Doctorate of Sacred Theology degree. The conflicts he faces are rooted in the shadows of the Vatican II council, a controversy that persists today despite the council's sessions, held long ago between 1962 and 1965. 

Nonetheless, here are some juicy examples of language...pardon the lack of context. Similes, metaphors, color, and ironic juxtapositions.

"Trying sinning on the side of charity, Monsignor."

Arthur Rupp was a first drip followed by many more...

...his brows dancing suggestively...

"Someone's been taking notes on your forehead." 

Something happened to the embalmed line of Agnes's mouth, as if she were trying to pop the stitches and scream that she was still alive.

She turned abruptly, the movement causing her eyes to snap open. She might have been catching him in a lie.

Did he really think Rome [the Vatican] was the buzzing center of it all . . . its major industry was postage stamps.

A moral theologian had several dozen ways of being less than candid [i.e. lying]

His voice seemed to force its way through the bridge of his nose.

...the newer neighborhoods and eventually suburbs spread west, munching into the orchards as they go...

...eyes downcast, corners of the mouth drooping, a general promise of tears.

"...the Second Vatican Council is a vicious rumor launched by Newsweek and the National Catholic Reporter."

The row of brick residence halls might have been a squadron of sinking ships.

She peered at her watch, hidden in a fold of flesh.

She wrinkled her nose and knitted her brows, prepared for the worst.

She became a poet of the nuptial bed in public.

It (the confessional) was a setting for the enactment of sad scenes. 

Bev freed a pickle slice that had been embedded like a fossil in the hamburger bun.

...but no matter where he looked he saw the infinitely interesting landscape of himself.

He had bared his soul to her, such as it was, and now they were to cuddle and coo. She felt like throwing up."

The Priest is a great read. I'm reading scenes aloud to Pam, as she doubles over in laughter .... hopefully at McInerny's wit and not my reading. 

And now for the...

DISTRACTION NO. 1

I haven't been able to write due to the distractions.

The first box of my latest novel, Tiger's Hope, was scheduled to be delivered from the printer. I wanted to use AI for the first time to generate a short promo video. I had spent several hours reading about how to achieve consistent results for a character's face, but I was fearful of the real time and money it would require. In reality, it took me about 10 hours but only cost about $20 out of pocket. I used a combination of Whisk to transform my AI cover still art into a prompt, then used ChatGPT to generate a consistent character prompt, and then a series of scene prompts (using the same character description for Anna Marie's face. I then rendered the results in VEO3 (not known as Sonovid). There were five scenes, as seen below, but it took at least three times that many renderings to get the visuals and voices correct. 

I assembled the five scenes in Final Cut Pro and added some James Stonehouse music from our motion picture effort of the same story 10 years earlier.

In the end, the voice clarity was very inconsistent, so I asked my wife, Pam, to ADR all five scenes. After which I applied audio filtering and sound effects to get the final soundtrack.  Here's what it looks and sounds like. What do you think?


DISTRACTION NO. 2

But then the books arrived, after I announced their release. I was too impatient. It doesn't happen often, but it does happen. The printer, in this case IngramSpark, forgot to refill the yellow ink tray.  I'm sure they will reprint for free, but... well, at least the red cover metaphors the blood letting that freaks out my protagonist. I guess I have a pile of free "early readers." 

Rejected cover (left)        Desired cover (right)

Onward and upward, as my first publisher, Michael Wiese, would say. Wanna buy the book? CLICK HERE.



Saturday, January 29, 2011

Ralph McInerny and the Wisdom of Fiction

From Daniel McInerny at his blog HIGH CONCEPTS a eulogy of this prolific father, Ralph McInerny, perhaps the most prolific Catholic author of fiction, non-fiction, and philosophy of the last few hundred years.  Click HERE for the entire post at Daniel's blog.

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In Dante and the Blessed Virgin my father articulates a truth that served as one of the most formative principles of his life as both philosopher and writer of fiction. That truth concerns what he follows Aristotle in calling “poetry,” Aristotle’s name for the genus of storytelling, of fiction. About storytelling, my father says this in Dante and the Blessed Virgin:
We become involved in stories because their characters are in some way ourselves. They are our better or worse selves, but not too much the one way or the other. We follow an imagined version of the choices that make up any human life, choices that matter. We are what we do, and characters in a story reveal who they are by their actions and choices. In real life, bounders succeed and the innocent suffer; they do in fiction, too, but the story makes sense of that in a way real life never does. Any story worth reading again will tell us something about the human condition we recognize as true” (21).
Read entire post.