I just found out about this. Not much time left. Yet, regardless, some nice insight about writing for TV or movies.
http://www.scriptwritercontest.com/
Discussion and analysis of screenplays, scripts, and story structure for filmmakers and novelists, based on the blogger's book: "THE MORAL PREMISE: Harnessing Virtue and Vice for Box Office Success".
Hank Galliston (Anthony Edwards), publisher of a paranormal-enthusiast magazine, while trying to save his abducted wife Laila (Jacinda Barrett), learns that he must also save the world from an impending cataclysm.Conventional wisdom is that a story can have one hook, or maybe two if the second is a subset or is embedded in the first. Recall that a hook is an ironic impossibility (or improbability) that the storytellers need to make reasonable (i.e. believable.) Everything else about the story should be real (not an impossibility) so as to give the audience a footing in reality. The reality connection allows the audience to IDENTIFY with one or more of the characters. When there are too many hooks the audience can be lost trying to identify with the characters because so few plot elements have a basis in the audience's reality. One hook is entertaining, two or more are confusing.
Hank Galliston publishes the magazine Modern Skeptic, which focuses on the paranormal. His wife Laila buys a unique-looking clock from a boardwalk vendor and is later abducted. FBI Agent Riley arrives to show Hank and his copy editors, Arron and Rachel, video footage of Laila's abduction. The screen freezes on mercenary White Vincent, with whom Riley is familiar. Hank disassembles Laila's clock to find a flawed diamond. With light shone through it, the stone refracts a map. Hank shows the map and its markings to Father Mickle (Charles S. Dutton), a priest who talks of a language that died in the 2nd century. The priest also mentions the Rosicrucians, a group of Christian mystics of the time, and place called New Bartholomew. The map diamond is left with the priest and Vincent later assaults him, collecting the diamond. Hank leaves his team behind and travels to where New Bartholomew should be, with Agent Riley in tow, as she tells him White Vincent's terrorist history. Arron and Rachel travel to Bavaria to find the clock maker (Jan Tříska), who wears a Rosicrucian cross. He informs them that after the Nazis created a new "eternal life," the Church appointed twelve new "apostles" that assembled in 1938 to protect the war-torn world from doom. A clock was created for each. The apostles then scattered to hide from the Nazis. New Bartholomew was not a place, but one of the apostles. Hank finds the place on the map where New Bartholomew is located. It is a German submarine, stuck in Canadian ice, with some dead people inside including New Bartholomew, who resembles Hank. Outside, Vincent arrives as the clock maker's voiceover warns of the approaching tumultuous "zero hour".Here are the improbables for me, your improbables may vary. Any one of these is cool. Trying to find a foundation in reality with ALL of these in one episodes makes me dizzy ... with laughter.