Akemi's Post No. 1
(my comment in the ComBox, below)
I'd like to thank you for writing this book. I bought it awhile ago on amazon, along with only two other books I could fine for figuring out theme and emotions.
I felt that i can write a story (plot wise) but I don't quite have the hang of getting people to care.
Since the books about this subject matter were so sparse, I did and still do a lot of analyzation of theme on my own. This analysis is mostly directed towards Japanese anime and manga.
Underneath all the flash and bright colours most anime and manga have themes and stories that hit me on a gut level. I laugh and cry from one moment to the next. 99% of the movies I try and watch in the theaters don't compell me to have this gut level emotion.
I wrote a piece on character themes on my BLOG "Myth and Manga"... if you are interested in looking at it.
That's actually an interesting question i want to ask you. How do Character themes and Story themes correlate? The anime Naruto I was studying..it doesn't have a story theme. Just individual character themes that focus of acknowledgment of the individual by the society.
Signed: Akemi Art
Discussion and analysis of screenplays, scripts, and story structure for filmmakers and novelists, based on the blogger's book: "THE MORAL PREMISE: Harnessing Virtue and Vice for Box Office Success".
Monday, February 23, 2009
Thursday, February 5, 2009
More Story Consulting
It's been an interesting month. Without revealing anything, I was asked twice to fly to Utah and hide out in a private snow lodge with actor/producer Will Smith to breakdown stories with the screenwriters, and other consultants. Long 14-hour days, good food, and the wonder of seeing a major motion picture take shape before your eyes on 4x6 index cards. Aside from working with very creative people, it's great to meet others, like those pictured here: Left to right: screenwriters Marianne and Cormac Wibberley (NATIONAL TREASURE), me, and Drew Yanno (also WGA), author of THE 3RD ACT, and film professor at Boston College. On an earlier trip I finally got to know Chris Vogler ("The Writer's Journey") who wrote the foreword to The Moral Premise.
BTW: Taking pictures in the lodge with Will et al was strictly prohibited. I managed to take the picture above of the lodge on our way to the taxi that took us all to the airport. The picture of the four of us was taking on the airport curb. Thanks to photoshop for the rest. Even the sun in both snaps was from the same direction. (Luck)